This is a review of the ‘The Diary of a Hounslow Girl’ a play by Ambreen Razia, shown at the Ovalhouse on the 6th of May.
Ambreen Razia had the audience spellbound by her electric performance. From start to finish I could not avert my eyes or raise my glass to take a sip of my drink for such was her charismatic presence. She portrays a teen Hounslow girl who is refreshingly not meek. In contrast to traditional perceptions of Pakistani girls she is a tigress roaring with passionate cries for freedom. Ambreen’s character is sensitive, inquisitive and a spark once lit transformed into a fire. She stormed onto the set unfurling a myriad of difficult painful recollections, punctuated with kind relief from the tempo with humour that had the room laugh out loud.
The diary of a Hounslow girl is a play much needed for all who care about women and girls across our diverse communities. The more I listened the more I wanted to shout out in delight at the message expressed by a lone character narrating her troubled British teen Muslim existence from her bedroom. Ambreen focuses on her Muslim Pakistani identity but understands and relates the shared trials of London girls in general. London girls are diverse, unique individuals, each adding a different flavour to the culture and voice of this city. The play asserts the complexity of individual identity bound up with multiple mini communities all co-existing as one. Ambreen’s Hounslow Muslim Pakistani girl is significantly different to her peers but also very much just another Londoner. Hounslow girl wants to speak, she wants her words heard – she wants to exist. She questions being singled out as a girl within her ethnic culture and Islamic community. She wonders why she must be held to account by her mother, sister, mosque uncle, Aunty Nusrat and God but denied the right to ask questions and search for answers on her own terms. We follow her tempestuous journey trying to be the perfect Pakistani girl for her mother while also trying to enjoy her friendships with girls her mother would rather dig a whole and hide away from. What is the place of a daughter born of an immigrant parent? This is the point addressed so clearly and passionately by Ambreen Razia throughout the play. Who gets to decide who Hounslow girl is and will be – her mother, her friends, her mosque uncle or her thoughts, actions, mistakes and solutions?
“It is revolutionary in its message and it must be watched by mothers and daughters alike”
Take away the hijab, take away the clothes, lingo and ethnic markers and the audience can see this is a diary about a girl who is looking to live her life with free will as so many teenagers yearn to do. Ambreen Razia bravely channels the ferocity of the teenage ride with searing heart breaking truths but brings us safely to a comforting final reflection. Hounslow girl is defiant, rebellious and angry but she is able to feel compassion and empathy for her mother. Ambreen Razia has said she wrote this play for girls coming of age – I think it is more than that – it is revolutionary in its message and it must be watched by mothers and daughters alike. In the last tender moments of the play the stormy whirlwind unleashed by Hounslow girl in my mind slowed to a gentle meditative state. I drank my drink and reflected on the special moment I had witnessed – the coming of age of women much marginalised, misunderstood but more and more a liberated dynamic force.
Image credit: Ovalhouse Theatre